<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-4765232871503561108</id><updated>2012-02-17T03:36:35.490+01:00</updated><title type='text'>Les amis de Darius Milhaud</title><subtitle type='html'>Blog de l'association des amis de Darius Milhaud ayant pour but de favoriser la connaissance et la diffusion de l'oeuvre de Darius Milhaud et de promouvoir, plus largement, la musique française du XXème siècle.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://lesamisdedariusmilhaud.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4765232871503561108/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://lesamisdedariusmilhaud.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Association des amis de Darius Milhaud</name><uri>http://www.blogger.com/profile/08129188467365914891</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>11</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-4765232871503561108.post-3761101552440342489</id><published>2012-02-08T15:54:00.002+01:00</published><updated>2012-02-08T15:54:43.076+01:00</updated><title type='text'>Catalogues des oeuvres de Darius Milhaud</title><content type='html'>&lt;div class="WordSection1"&gt;  &lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;u&gt;&lt;span style="color: windowtext; font-size: 18.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;Ballets&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;L'homme Désir et fils&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, poème plastique de&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Paul Claudel&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt; op.48 (1918), pour quatre chanteurs sans paroles, le vent solo, percussions et cordes;(2120-trp,hp,B,C) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;16mn10 U.E&amp;nbsp;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Le bœuf sur le toit&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Op.58, (&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;1919); scénario de&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Jean Cocteau&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt; (2121-2210,B,C)&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;19mn ESCHIG&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Les mariés de la tour Eiffel&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;:&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Marche nuptiale&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;et&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Fugue du massacre&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;que, op.70 (1921, révisée 1971); ballet-show; scénario &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;de&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Jean Cocteau&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt; (3333-4330-Tb,B,hp,C)&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt; &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;2mn 25&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt; &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;SALABERT&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;&lt;a href="http://en.wikipedia.org/wiki/La_cr%C3%A9ation_du_monde" title="La création du monde"&gt;&lt;i&gt;&lt;span style="color: windowtext; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR; text-decoration: none; text-underline: none;"&gt;La création du monde&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.81 (1923); pour petit orchestre; scénario de&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Blaise Cendrars&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt; (2121-sax1210-Tb,B,quatuor à C,p°)&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt; &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;15mn ESCHIG&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Salade&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;(A. Flament), Op.83 (1924); ballet chanté en 2 actes; scénario par Albert Flament solo et orchestre(2121-2211-Tb,B,C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;40mn HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Le train bleu&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.84 (1924); dansée opérette; scénario de&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt; (3332-4331-Tb,B,C)&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt; &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;22mn15HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Polka&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.95 (1927); pour les enfants de ballet&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;l’Eventail de Jeanne&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;à laquelle dix compositeurs français ont contribué chacun pour une danse) (2222-2200-B,C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;La Bien-Aimée&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.101 (1928); Pleyela (piano) et orchestre, après la musique de Schubert et de Liszt; 1 acte; scénario pa&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;r&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Alexandre Benois&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Les songes&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;1933); &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;scénario en &lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;André Derain&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt;(&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; Op.124 )&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;(1111-1110-&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;Tb,B,C,p°) &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;30mn SALABERT&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Moyen âge fleuri (Suite provençale)&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.152d (1936)&lt;i&gt; &lt;/i&gt;&amp;nbsp;d’après la musique de scène&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Bertrand de Born(2322-4331-TB,B,C)&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;16mnSALABERT&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Moïse&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Op.219, (1940); ballet symphonique, également pour orchestre:&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Opus n ° 2 americanum&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.219b (1121-1220-Tb,B, C ou&amp;nbsp; 2222-2220-Tb,B,hp,C)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;31mn25 ELK.VOG.PRESSER&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Jeux de printemps&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.243b (1944); après le travail d'orchestre&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&amp;nbsp;Marche fête de la Victoire, Op.254 (1945) complément à l’arrangement en ballet de la&amp;nbsp; &lt;i&gt;Suite française&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt; version original pour orchestre, Op.248 (1944) (2222-2220-Tb,B,C,) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Bel.M.&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Les cloches&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;(The Bells), Op.259 (1946); après le poème de&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Edgar Allan Poe&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt; (3121-2210-B,C,p°)&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;27mn ESCHIG&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;'Adame Miroir&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.283 (1948); pour 16 instruments solistes; scénario de&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Jean_Genet" title="Jean Genet"&gt;&lt;span style="color: windowtext; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR; text-decoration: none; text-underline: none;"&gt;Jean Genet&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt; (1111-1110-Tb,B,C)&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt; &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;18mn&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;&amp;nbsp; &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;La Cueillette des citrons&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.298b (1949-1950); intermède provençal&amp;nbsp; d’Armand Lunel (2222-2220-Tb,B,C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;20mnHEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Vendanges&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.317 (1952); scénario de&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Philippe de Rotshschild&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt; (2222-2331-Tb,B,hp,C)&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;50mn ESCHIG&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;La &lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;rose des vents&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.367 (1957); scénario par&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Albert Vidalie et R&amp;nbsp;.Petit&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt; 2chansons et orchestre(2121-2210-B,hp,C,p°)&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt; &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;22mn SALABERT&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;La branche des oiseaux&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.374 (1958-1959); scénario de&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;André Chamson&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt; (3333-4330-Tb,B,hp,C)&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt; &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;30mn HEUGEL&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="font-size: 18pt; line-height: 150%;"&gt;Orchestre&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Suite No.1 symphonique&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, op.12 (1913-1914); après l'opéra&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;La brebis égarée&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.4 (1910-1914)(3334-4331-Tb,B,hp,C)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;18mnESCHIG&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Symphonie de chambre (Little Symphony) n ° 1 "Le printemps"&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, op.43 (1917) (pfl,htb,cl,bon et C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;4mn U.E.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;L’homme et son désir &lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;op.48b(2221-1200-B,hp,C&amp;lt;111-11&amp;gt;) (1918)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;20mnU.E.&lt;/span&gt;&lt;i&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Symphonie de chambre (Little Symphony) n ° 2 "Pastorale"&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Op .49, (1918 -19) (fl,cl,bon et C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;3mn U.E.&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Suite n ° 2 symphonique&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op. 57 (1919), après la musique de scène&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Protée&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, op.17 (1913-1919)(3334-4331-Tb,B,hp,C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;19mn40 DURAND&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Sérénade en trois&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt; parties&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, op.62 (1920-1921)(2222-2200-Tb,B,C)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;11mn50 U.E&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Cinq études&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; op.63(111-1110-Tb,B,C) (1920)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; 10mnU.E..&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Saudades do Brasil&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.67b (1920-1921); original pour piano(2222-2220-Tb,B&amp;nbsp;,C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;22mn ESCHIG&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt;Les mariés de la tour Eiffel&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;:&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Marche nuptiale&lt;/span&gt;&lt;/i&gt;&amp;nbsp;,Sortie de la noce op.70 (&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;1921)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Fugue du massacre&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, op.70 b( 1971) transcription pour 15 instruments de Constant&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt; &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;SALABERT&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Symphonie de chambre (Little Symphony) n ° 3 "Sérénade"&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op. 71 (1921)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Symphonie de chambre (Little Symphony) n ° 4 "Dixtour"&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.74 (1921)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Symphonie de chambre (Little Symphony) No.5 "Dixtour d'instruments à vent»&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, op.75 (1922)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;3 Caprices Rag&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.78 (1922).original pour piano(fl,htb,cl,bon,2cors,trp,trb,B et C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;8mn U&amp;nbsp;.E&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Symphonie de chambre (Little Symphony) n ° 6&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.79 (1923)(quatuor vocal, htb et vlc) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;6mn U.E.&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span lang="EN-US" style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;2 Hymnes&lt;/span&gt;&lt;/i&gt;&lt;span lang="EN-US" style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.88b (1925)(3333-4331-Tb,B,hp,C)&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-US" style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN-US; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;3mnU.E.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Suite de Maximilien&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; op.110 (3343-4431-Tb&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;,B,hp,C) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;20mn U.E.&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;3 Valses&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.128 (1933), après la musique du film&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Madame Bovary&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, version orchestrale de S&amp;nbsp;.Chapelier&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;3mn23ENOCH&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Album de Madame Bovary &lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;version orchestrale de S. Chapelier&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;ENOCH&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Suite provençale&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.152c (1936), après la musique de scène&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Bertran de Born(2322-4331-TB,B,C)&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;16mnSALABERT&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Introduction et marche funèbre&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; op 153b (1936 )(Extrait du &lt;i&gt;14juillet &lt;/i&gt;op.153c pour orchestre d’harmonie (2222-2220-B,C)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp;6mn30 CHANT DU M.&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Le carnaval de Londres&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;d’après l’opéra du gueux &lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.172 (1937)(fl,htb,cl,bon,trp,trb,sax,B,hpet C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;30mn SALABERT&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;L'oiseau&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.181 (1937)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Cortège funèbre&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.202 de la musique du film&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Espoir &lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;(212&amp;lt;cl ou sax&amp;gt;1-0221 B,hp,C)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;14mnA.M.P.&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Fanfare&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.209 (1939)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Symphonie n ° 1, Op.210 (1939) (3333-4331-Tb,B,hp,C)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 27mn HEUGEL&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Indicatif et marche verser les bons d'armement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.212 (1940)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Opus n ° 2 americanum&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.219b (1940), après le ballet&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Moïse&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, (l,htb,2cl,bon,cor,2trp,2trb,p°,Bet C)(2222-2220-Tb,B,hp,C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;31mn25 ELK.VOG. ou PRESSER&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Introduction et allegro&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.220 (1940),d’ après Couperin:&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;La Sultane&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;((3332-4331-Tb,B,hp,C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;PRESSER&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;4 Esquisses&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;(4 Sketches), Op.227 (1941); original pour piano(flhtb,cl,bon,trp,trb,B,hp et C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;9mnMERCURY&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Fanfare de la liberté&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.235 (1942)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Jeux de printemps&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.243 (1944); aussi un ballet(fl,cl,bon,trp,quatuor à C et cb)(3332-4331-Tb,B,hp,C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;20mn SALABERT&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;La muse ménagère&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.245B (1945); original pour piano (fl,htb,cl,bon et C ) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;27mn ELK.VOG.&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Symphonie n ° 2, Op.247 (1944) (3333-4331-Tb,B,hp,C)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 27mn HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Le Bal martiniquais&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.249b (1944); aussi pour 2 pianos (2222-2220- Tb,B,hp,C)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; 7mn15 ELK.VOG.PRESSER&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Deux marches op.260&amp;nbsp; (2222-4331) op.260b pour orchestre d’harmonie &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;5mn05 SCHIRMER&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;7 Danses sur des airs Palestiniens&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.267 (1946-1947)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Symphonie n ° 3&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;"Te Deum"&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour chœur et orchestre, Op.271 (1946) (3333-4331-Tb,B,hp,C)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;31&amp;nbsp; &lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;HEUGEL&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Symphonie n ° 4&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;"A l'occasion Composée de Centenaire de la Révolution de 1848"&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.281 (1947)(3343-4442-2sax-Tb,B,C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;28mn06 SALABERT&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Paris&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.284 (1948); aussi pour 4 pianos(2222-4331-Tb,B,hp,C)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp; 9mn55 ESCHIG&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Kentuckiana-Divertissement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.287b (1948); aussi pour 2 pianos (2222-2220-Tb,B,hp,C)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; 10mn 20 ELK.VOG. PRESSER &lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;La cueillette des citrons&lt;/span&gt;&lt;/i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt; op.298b Intermède provençal (1949) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;20mnHEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Symphonie n ° 5, Op.322 (1953)&amp;nbsp; (3222-4331-Tb,B,C)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;26mn HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Suite campagnarde&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.329 (1953)(2222-2230-Tb,B,C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;9mn55 HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Ouverture méditerranéenne&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.330 (1953) (2222-4220-Tb,B,C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;6mn20 HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Symphonie n ° 6, Op.343 (1955) (3333-4331-Tb,B,hp,C)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 27mn15 HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Symphonie n ° 7, Op.344 (1955) (3333-4331-Tb,B,hp,C)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;15mn&amp;nbsp; HEUGEL&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;La couronne de Marguerite (Valse en forme de rondo)&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.353 (1956)(22222-2200-Tb,B,hp,C) original pour piano&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;SALABERT&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Le globe-trotter&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.358 (1956-1957); original pour piano&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Les charmes de la vie&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;(Hommage à Watteau), Op.360 (1957); original pour piano&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Aspen sérénade&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour orchestre de chambre, Op.361 (1957)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Symphonie n ° 8&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;"Rhodanienne"&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.362 (1957) (3333-4331-Tb,B,hp,C)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;21mn10&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;HEUGEL&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Symphonie n ° 9, Op.380 (1959)(2322-2221-Tb,B,hp,C)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;16mn40 HEUGEL&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Symphonie n ° 10, Op.382 (1960) (3333-4331-Tb,B,hp,C)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp; 22mn05 HEUGEL&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Symphonie n ° 11&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;"Romantique"&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.384 (1960) (3333-4331-Tb,B,hp,C)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; 17mn25 HEUGEL&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Les Funérailles de Phocion&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;(Hommage à Poussin), Op.385 (1960)(3233-4331-Tb,B,C)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;8mnHEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Aubade&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, pour petit orchestre&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Op.387( 1960) (2222-2220-Tb,B,HP,C)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;10mn HEUGEL&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Symphonie n ° 12&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;"Rurale"&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.390 (1961)(2232-2231-Tb,B,hp,C)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;16mn40 HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Ouverture philharmonique&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.397 (1962)(3333-4331- Tb,B,hp,C)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; 9mn Ed.Transatlantiques&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Un Français à New York&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.399 (1962) (3333-4331-Tb,B,hp,C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;21mn SALABERT&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Meurtre d'ONU grand chef d'Etat&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Op.405, (1963), consacré à&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;&lt;a href="http://en.wikipedia.org/wiki/John_F._Kennedy" title="John F. Kennedy"&gt;&lt;span style="color: windowtext; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR;"&gt;John F. Kennedy&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt;(2222-4331-Tb&amp;nbsp;,B,C)&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;3mn ESCHIG&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Ode verser les morts des Guerres&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.406 (1963) (3333-4331-Tb,B,C)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;15mn ESCHIG&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Music for&amp;nbsp; Boston&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;,(fl,cl,bon et C) Op.414 (1965) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;13 mn ELK.VOG ou PRESSER&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Musique pour Prague&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.415 (1965)(2223-2331-Tb,B,hp,C)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;14mn10 ESCHIG&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Musique pour l'Indiana&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.418 (1966)(2233-2331-Tb,B,hp,C)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;19mn15 ESCHIG&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Musique pour Lisbonne&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.420 (1966) (2htb,2cors et C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;21mn ESCHIG&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Musique pour la Nouvelle-Orléans&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.422 (1966)(3233-4331-Tb,B,hp,C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;25mn15 ESCHIG&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Promenade Concert&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.424 (1967) (2222-4331-Tb,B,hp,C)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;13mnESCHIG&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Symphonie pour l'univers claudélien&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.427 (1968) (2233-4331-Tb,B,hp,C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;25mn ESCHIG&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Musique pour Graz&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.429 (1968-1969)(fl,htb,cl,bon,trp,quatuor à C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;15mn 30 U.E.&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Suite en sol&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.431 (1969) (2222-4331-Tb,B,hp,C)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;18mn ESCHIG&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Musique pour Ars Nova&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.432 (1969) (fl,cl,clB,bon,cor,trp,trb,vlc,p°,hp et 2perc)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;12mn ESCHIG&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Musique pour San Francisco&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.436 (1971)(2222-2220-B,C)( participation du public dans la 3&lt;sup&gt;ième&lt;/sup&gt; partie)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;10mn40 ESCHIG&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Ode pour Jérusalem&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.440 (1972) (2222-2231-Tb,B,C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;13mn05 ESCHIG&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Polka&amp;nbsp; n°7&lt;/span&gt;&lt;/i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt; du ballet &lt;i&gt;l’Eventail de Jeanne&lt;/i&gt; version pour petit orchestre &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;HEUGEL&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Orchestre à cordes&lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Fanfare Mills&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.224 (1941)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Pensée amicale&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.342 (1955)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Symphoniette&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.363 (1957) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;10mn HEUGEL&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Quatrième symphonie&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; op.74(Dédiée à Madeleine Milhaud) (4v°,2A,2vlcet 2Cb)( 1921 )&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; 6mnU.E.&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Ensemble à vent&lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Suite française&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.248 (1944); également pour orchestre(2222-2220-Tb,B,C); adapté en ballet, Op.254 (1945)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;17mn Bel M.&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Normandie&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Bretagne&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Île de France&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Alsace-Lorraine&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Provence&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;2 Marches pour la libération&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.260 (1945-1946)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;In memoriam&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, dédié aux victimes de Pearl Harbor&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;victoribus Gloria&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;; Guerre mondiale mars victoire II&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Suite de West Point&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.313 (1954) (orchestre d’harmonie) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;7mn50 A.M.P.&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Musique de théâtre&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.334b (1954-1970) (orchestre d’harmonie), après la musique de scène&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Saül&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.334 &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;12mn ESCHIG&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Fanfare&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour ensemble de cuivres (4 cors, 3 trompettes, 3 trombones et tuba), Op.396 (1962)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Introduction et Marche funèbre op.153c &lt;/span&gt;&lt;/i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;pour orchestre d’harmonie &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;6mn30&lt;/span&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="font-size: 18pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;span style="text-decoration: none;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="font-size: 18pt; line-height: 150%;"&gt;Concertos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Piano&lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Poème sur l'ONU cantique de Camargue&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour piano et orchestre, op.13 (1913)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Ballade&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour piano et orchestre, Op.61 (1920)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;5 Études&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour piano et orchestre, op.63 (1920)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;3 Caprices Rag&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour piano et petit orchestre, Op.78 (1922); aussi pour piano solo&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Le carnaval d'Aix&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Fantaisie pour piano et orchestre, Op.83b (1926) (2121-2211-Tb,B,C), après le ballet&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Salade&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.83 &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;15mn30 HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Concerto n ° 1 pour piano et orchestre, Op.127 (1933))&amp;nbsp;(2232-2321-Tb&amp;nbsp;,B, hp,C)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;12mn SALABERT&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Fantaisie pastorale&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour piano et orchestre, Op.188 (1938)(1111-1111-B,hp,C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;10mn SALABERT&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Concerto n ° 2 pour piano et orchestre, Op.225 (1941) (2222-2221-Tb,B,C) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;13mnHEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Concerto n ° 1 pour 2 pianos et orchestre, Op.228 (1941)( 2222-2221-Tb,B,C) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;16mn ELK.VOG. ou PRESSER&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Concerto n ° 3 pour piano et orchestre, Op.270 (1946) (2222-2221-Tb,B,C) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;19mn A.M.P.&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Suite concertante&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour piano et orchestre, Op.278a (1952); après le&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Concerto pour marimba, vibraphone et orchestre&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.278 (1947) (2222-2221-Tb,B,C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;18mn50 ENOCH&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Concerto n ° 4 pour piano et orchestre, Op.295 (1949) (2222-2220-Tb,B,2hp,C) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;18mn45HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Suite pour 2 pianos et orchestre, Op.300 (1950)(2222-2230-Tb,B,hp) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;18mn15 HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Concertino d'automne&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour 2 pianos et 8 instruments, Op. 309 (1951) (fl,htb,3cors,2A vcl)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;11mn HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Concerto n ° 5 pour piano et orchestre, Op.346 (1955) (2222-22221-Tb,B,hp,C) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;19mn ESCHIG&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Concert de chambre&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour piano et orchestre de chambre (quintette à vent et quintette à cordes), Op.389 (1961)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Concerto n ° 2 pour 2 pianos et 4 percussionnistes,(perc,Tb,cel,glock,xyl) Op.394 (1961) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;21mn ESCHIG&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;span style="text-decoration: none;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Violon&lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Music de Boston&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour violon et orchestre de chambre, Op.41 (1917)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Cinéma fantaisie&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour violon et orchestre de chambre, Op.58b (1919); également pour violon et piano; d’ après&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt;Le bœuf sur le toit&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt; &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;19mnESCHIG&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Concerto n ° 1 pour violon et orchestre, Op.93 (1927)(2222-2221-Tb,B,hp,C) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;9mn HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Concertino de printemps&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;et orchestre de chambre pour violon, Op.135 (1934)(111-11-Tb,B,C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;9mn SALABERT&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Concerto n ° 2 pour violon et orchestre, Op.263 (1946)(23332-2221-Tb,B,C) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;23mnA.M.P&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Concerto n ° 3&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;"Royal Concert"&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour violon et orchestre, Op.373 (1958)(2221-2221-Tb,B,C)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; 20mnESCHIG&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Alto&lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Concerto n ° 1 pour alto et orchestre, Op.108 (1929) vers.1(2232-2211-Tb,B,hp,C)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Vers.2 (2121-1110-B,C) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;15mnU.E.&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Air&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour alto et orchestre, Op.242 (1944), après la Sonate pour alto n ° 1, Op.240&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Concertino d'été&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour orchestre de chambre (fl,htb,cl,en B,bon,cor en F trp en UT,2vlc et cb) et alto solo, Op.311 (1951) (1111-11-2vlc,cb,) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;14mn25HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Concerto n ° 2 pour alto et orchestre, Op.340 (1954-1955) (2222-2221-Tb,B,C) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;20mn HEUGEL&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Violoncelle&lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Concerto n ° 1 pour violoncelle et orchestre, Op.136 (1934)(2222-2221-Tb,B,hp,C) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;15mn SALABERT&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Concerto n ° 2 pour violoncelle et orchestre, Op.255 (1945) (2222-2221-Tb,B,hp,C)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;18mn A.M.P.&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Suite cisalpine sur des airs populaires des piémontais&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour violoncelle et orchestre, Op.332 (1954) (2222-2220-Tb,B,hp,C)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;20mn ESCHIG&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Autres&lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Scaramouche&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour saxophone alto et orchestre, Op.165 (1937); aussi pour 2 pianos, Op.165b (1937), après la musique de scène Le &lt;i&gt;médecin volant&lt;/i&gt; Op.165&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Vif&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Modéré&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Brazileira&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Scaramouche&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour clarinette et orchestre (1939) op.165d (2222-2220-B,C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;8mnSALABERT&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Scaramouche&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour saxophone et orchestre op.165c (1939) (2222-2220-B,C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;8mn SALABERT&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Concerto pour percussion et petit orchestre, Op.109 (1929-1930)(2fl,2cl,trp,trb,C&amp;lt;&amp;nbsp;33221&amp;gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;7mnU.E.&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Concerto pour flûte, violon et orchestre, Op.197 (1938-1939) (2222-2221-Tb,B,hp,C) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;18mn SALABERT&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Concerto pour clarinette et orchestre, Op.230 (1941) (2222-2221-Tb,B,hp,C) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;20mn10 ELK.VOG ou PRESSER&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Suite anglaise&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour harmonica (ou violon) et orchestre, Op.234 (1942)(2222-2221-Tb,B,C) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;15mnBOOSEY ET H.&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Concerto pour marimba, vibraphone et orchestre, Op.278 (1947)(2222-2221-Tb,B,hp,C)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;18mn50 ENOCH&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;L'apothéose de Molière &lt;/span&gt;&lt;/i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;, (d’après Baptiste Anet)Suite pour clavecin avec flûte, hautbois, clarinette, basson et orchestre à cordes, Op.286 (1948)&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;10mn OISEAU-LYRE&lt;/span&gt;&lt;/i&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Concerto pour harpe et orchestre, Op.323 (1953) (2222-sax-2222-Tb,B,C) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;22mn ESCHIG&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Concertino d'hiver&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;et orchestre à cordes trombone, Op.327 (1953) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;12mn15 A.M.P.&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Concerto pour hautbois et orchestre, Op.365 (1957)(2031-2sax-222-Tb,B,hp,C)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;18mn30HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Symphonie concertante&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour basson, cor, trompette, contrebasse et orchestre, Op.376 (1959) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;11mnHEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Concerto pour clavecin et orchestre, Op.407 (1964)(1111-0100-Tb,B,hp,C) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;17mn SALABERT&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Stanford sérénade&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour hautbois solo et 11 instruments, Op.430 (1969)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Suite anglaise op.234 pour harmonica( accordéon ou violon) et orchestre&amp;nbsp; 1942 BOOSEY ET H&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 18pt; line-height: 150%;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 18pt; line-height: 150%;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;u&gt;Musique de Chambre et&amp;nbsp; musique instrumentale&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Violon&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Sonate n ° 1&lt;/span&gt;&lt;/i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt; pour violon et piano, op.3 (1911) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;30mnDURAND&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Le printemps&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour violon et piano, op.18 (1914) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;2mn25 DURAND&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Sonate n ° 2 &lt;/span&gt;&lt;/i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&amp;nbsp;pour violon et piano, op.40 (1917)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; DURAND&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Cinéma fantaisie&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour violon et piano, Op.58b (1919); également pour violon et orchestre de chambre, d’ &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;après&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Le_b%C5%93uf_sur_le_toit" title="Le bœuf sur le toit"&gt;&lt;i&gt;&lt;span style="color: windowtext; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR; text-decoration: none; text-underline: none;"&gt;Le Bœuf sur le Toit&lt;/span&gt;&lt;/i&gt;&lt;/a&gt; &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;19mn ESCHIG&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Impromptu&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour violon et piano, op.91 (1926)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;3 Caprices de Paganini&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour violon et piano(10,13,22) traités en duos concertants), Op.97 (1927) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;9mn15 HEUGEL&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Réd. du concertino de printemps &lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;op.135&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt; pour violon et&amp;nbsp; piano&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; font-weight: normal; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;SALABERT&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Dixième sonate de Baptiste Anet&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;en ré majeur, Op.144 (1935); transcription libre pour violon et clavecin&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Sonatine &lt;/span&gt;&lt;/i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;pour 2 violons, Op.221 (1940) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;3mn20 LEDUC&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Suite anglaise&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; op.234 pour violon et&amp;nbsp; piano (1942)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; 16mn BOOSEY et H&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Danses de Jacaremirim&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour violon et piano, Op.256 (1945); 3 pièces &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;4mn45Bel.M&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Sonate &lt;/span&gt;&lt;/i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;pour violon et clavecin, Op.257 (1945) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;9mn40 ELK.VOG. ou PRESSER ou LEDUC&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Duo pour 2 violons&lt;/span&gt;&lt;/i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;, Op.258 (1945) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;4mn26 LEDUC&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Scaramouche pour violon et piano n°2Modéré&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; N°3Brasileira &lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;transription d’Heifetz&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp; SALABERT&lt;/span&gt;&lt;i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Farandoleurs&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour violon et piano, Op.262 (1946) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;2mn20 SALABERT&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Concert Royal&amp;nbsp; ,réd.du concerto n°3&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; op.373 pour violon et&amp;nbsp; piano (1958)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;ESCHIG&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;pastorale Sonatine&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour violon solo, Op.383 (1960)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;3mn20 ADES&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Musique pour Boston ,&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Réd.pour piano et violon op.414 (1965)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;LEDUC&lt;/span&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Saudades do Brazil&lt;/span&gt;&lt;/i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&amp;nbsp; pour violon et&amp;nbsp; piano transcription de Lévy &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;ESCHIG&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Alto&lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;4 Visages&amp;nbsp;:&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;pour alto et piano, Op.238 (1943)&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;14mn HEUGEL&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;la californienne&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;the wisconsian&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;la bruxelloise&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;la parisienne&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Sonate n ° 1&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;sur des thèmes inédits et anonymes de XVIIIe siècle&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, pour alto et piano, Op.240 (1944)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;13mn05 HEUGEL&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;N ° 2 Sonate pour alto et piano, Op.244 (1944)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;11 mn35 HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Élégie&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour alto et piano, Op.251 (1945)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Élégie pour Pierre&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour alto, timbales et 2 percussionnistes, Op.416 (1965)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Concertino d’été pour alto solo,fl,htb,cl enB,bon,cor en F&amp;nbsp; op.311 1950&amp;nbsp; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;HEUGEL&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Réd&amp;nbsp;.du deuxième concerto&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; pour alto et orchestre op.340&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;20mn HEUG&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;div class="MsoNormal" style="line-height: 150%;"&gt;&lt;b&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-family: Cambria, serif; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Violoncelle&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-family: Cambria, serif; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Élégie&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="font-family: Cambria, serif; font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour violoncelle et piano, Op.251 (1945) &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; line-height: 150%; mso-ascii-theme-font: major-latin; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; mso-hansi-theme-font: major-latin; padding: 0cm;"&gt;4mn35&amp;nbsp; BOOSEY etH&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%;"&gt;&lt;b&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-family: Cambria, serif; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Sonate pour violoncelle et piano, Op.377 (1959) &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; line-height: 150%; mso-ascii-theme-font: major-latin; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; mso-hansi-theme-font: major-latin; padding: 0cm;"&gt;13mn35&amp;nbsp; SALABERT&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; line-height: 150%; mso-ascii-theme-font: major-latin; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; mso-hansi-theme-font: major-latin; padding: 0cm;"&gt;Réd&amp;nbsp;.du Concerto &lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="border: none windowtext 1.0pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; line-height: 150%; mso-ascii-theme-font: major-latin; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; mso-hansi-theme-font: major-latin; padding: 0cm;"&gt;op.316 (1934&lt;span style="color: red;"&gt;) SALABERT&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; line-height: 150%; mso-ascii-theme-font: major-latin; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; mso-hansi-theme-font: major-latin; padding: 0cm;"&gt;Saudades do Brazil&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="border: none windowtext 1.0pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; line-height: 150%; mso-ascii-theme-font: major-latin; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; mso-hansi-theme-font: major-latin; padding: 0cm;"&gt; trans.de Maréchal&lt;span style="color: red;"&gt; ESCHIG&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%;"&gt;&lt;b&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; line-height: 150%; mso-ascii-theme-font: major-latin; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; mso-hansi-theme-font: major-latin; padding: 0cm;"&gt;Suite Cisalpine sur des airs populaires piémontais&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="border: none windowtext 1.0pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; line-height: 150%; mso-ascii-theme-font: major-latin; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; mso-hansi-theme-font: major-latin; padding: 0cm;"&gt; (1954)&lt;span style="color: red;"&gt; ESCHIG&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%;"&gt;&lt;b&gt;&lt;span style="border: none windowtext 1.0pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; line-height: 150%; mso-ascii-theme-font: major-latin; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; mso-hansi-theme-font: major-latin; padding: 0cm;"&gt;Réd.de la suite pour violoncelle et orchestre&amp;nbsp; op 332&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Sumare &lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;transcription de Gendron&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; ESCHIG&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Guitare&lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span lang="EN-US" style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Segoviana&lt;/span&gt;&lt;/i&gt;&lt;span lang="EN-US" style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.366 (1957) &lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-US" style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN-US; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;2mn30 HEUGEL&lt;/span&gt;&lt;u&gt;&lt;span lang="EN-US" style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span lang="EN-US"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span lang="EN-US" style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Harpe &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span lang="EN-US" style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span lang="EN-US" style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Sonata, Op.437 (1971)&lt;/span&gt;&lt;span lang="EN-US" style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN-US; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;12mn30 ESCHIG &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span lang="EN-US" style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN-US; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Réd. Du concerto pour Harpe et orchestre op.323 1953&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; ESCHIG&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;Ondes Martenot&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;Suite op 120b&amp;nbsp; ondes Martenot et orchestre( 1932 )&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;10mn&amp;nbsp; BILLAUDOT&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;Suite op 120c&amp;nbsp; ondes Martenot et piano( 1932) &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;10mn&amp;nbsp; BILLAUDOT&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Vents&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;pour hautbois, clarinette et basson&lt;i&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Pastorale&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.147 (1935)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; 3mn50 CHANT DU M&amp;nbsp;.&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Suite d'après Corrette&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.161b (1937),d’ après la musique de scène &lt;i&gt;Jules César&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.158 (1936)&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;8mn30&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; OISEAU-LYRE&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Fanfare&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour 2 trompettes et trombone, Op.400 (1962)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Caramel mou op.68b(transcription) 1920 &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;3&amp;nbsp;mn14 ESCHIG&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt; (4cl ou cl ,trp,trb,,p°,sax ou chant)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Pour clarinette&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Le bal des voleurs op.192&amp;nbsp; musique de scène pour la pièce de Jean Anouilh1938&amp;nbsp; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;BILLAUDOT&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp; &lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Le bal des voleurs op.192&amp;nbsp; (&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Version pour clarinette et orchestre transcription de Roger Calmel) BILLAUDOT&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;(Pour 4clarinettes ou cl,trp,trb&amp;nbsp;;p°,sax ou chant)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Caramel mou&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp; op.68b(transcription)( 1920)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;3mn 14 ESCHIG&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Pour 12 sax&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Scaramouche op.165 (Transcription de Londeix) 1941&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;SALABERT&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Pour sax A ou clet fl,htb cl,cor et bon&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Scaramouche op.165 (transcription de Stewart)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp;SALABERT&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Pour 2trp 2trb&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Fanfare&amp;nbsp; op&amp;nbsp;.400 (1962)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; HEUGEL&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Pour fl,htb,cl,bon,cor&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Divertissaementop.299b&amp;nbsp; 1958&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; 11mn30 HEUGEL&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Quintette op. 443&amp;nbsp; 1973&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; 17mn ESCHIG&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;La cheminée du Roy René op.205 1939&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; 11mn13 SOUTH MUSIC&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Eglogue Madrigal(extrait de four sketches) op.227 1941&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; MERCURY&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Pour fl,cl,clB,bon,cor,trp,trb,v°,vlc,p°hp,et 2perc&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Musique pour Ars Nova op.432 1969&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; 12mn ESCHIG &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Pour htb,trio à C,et Cb&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Les rêves de Jacob op.294 (1949)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; 13mn30 HEUGEL&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Pour fl,cl,bon,et C&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span lang="EN-US" style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN-US; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Music for Boston op.414 1965&lt;/span&gt;&lt;span lang="EN-US" style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN-US; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span lang="EN-US" style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN-US; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;13mn ELK.VOG. ou PRESSER&lt;/span&gt;&lt;span lang="EN-US" style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN-US; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Pour fl,htb,cl,bon,trp,et quatuor à C &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Aspen Serenade op.361 1957&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;16mn05 HEUGEL&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Les charmes de la vie 360b (Hommage à Watteau) 1957&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;20mn Bel.M.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Pour fl,htb,cl,bon,deux cors,trp,trb,BetC&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Trois rags caprices op.78 1922&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;8mn U.E&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Pour fl,htb,cl,bon,trp,trb,sax,B,hp,et C&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Le carnaval de Londres (d’après l’opéra du gueux) op.172 1937&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;30 MN&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;SALABERT&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Pour fl,htb,2cl,bon cor,2trp,2trb,p°,BetC&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Opus américanum n°2 op.219b 1940&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp; 31mn25 ELK.VOG. ou PRESSER&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Pour fl,htb,cl,bon,cor,trp,trb,B etC&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span lang="EN-US" style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN-US; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Four sketches op.227b 1941&lt;/span&gt;&lt;span lang="EN-US" style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN-US; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp; &lt;/span&gt;&lt;span lang="EN-US" style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN-US; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;9mn MERCURY&lt;/span&gt;&lt;span lang="EN-US" style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN-US; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Pour 2htb,2cors et C&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Musique pour Lisbonne op.420 1966&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;21mn&amp;nbsp;&amp;nbsp; ESCHIG&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Pour fl,cl,bon,trp,quatuor à C&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Musique pour Graz op.429 1968&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;15mn 30 U.E.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Pour fl,cl,bon,trp,quatuor à C et cb&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Jeux de printemps op.243 1944&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; 20mn SALABERT&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Pour fl&amp;nbsp;,tb,cl,bon,et C&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;La Muse Ménagère op.245b 1944&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;22mn ELK.VOG.&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;L’apothéose de Molière&amp;nbsp; d’après Baptiste Anet)op.286(+clav) 1948&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;10mn OISEAU-LYRE&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Pour pfl,fl,htb,cl,hp,et quintette à C&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Première symphonie Pastorale op.49 1918&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;4mnU.E.&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Troisième symphonie Sérénade op.71 1921&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;3mn U.E.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Pour 2fl,2htb,2cl,2bon,2cors&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Cinquième symphonie&amp;nbsp; op.75 (1922 )&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;5mn U.E.&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Pour quatuor vocal ,htb,et vlc&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Sixième symphonie op.79 1923&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;6mnU.E.&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Duos&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp;Sonatine&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; pour violon et alto op.22- (1941)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;9mn LEDUC&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Sonatine&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; pour violon et violoncelle op.324 (1953)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;7mn 20 HEUGEL&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Sonatine&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; pour alto et violoncelle op.378 (1959)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;17 mn30 HEUGEL&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Sonatine&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; pour hautbois et piano op.337( 1954)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;DURAND&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Réd.du concerto&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; pour htb et orchestre op.365( 1957)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; HEUGEL&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Sonatine&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; pour flûte et piano, Op.76 (1922)&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;7mn50 DURAND&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Exercice musical&lt;/span&gt;&lt;/i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt; pour pipeau et piano op.134&amp;nbsp; (1934) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;OISEAU-LYRE&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Sonatine&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; pour pipeau et piano op.337(1954)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp;11mn&amp;nbsp; DURAND&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Duo concertant&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; pour clarinette et piano&amp;nbsp; op.35 (1956)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; 9mn45 HEUGEL&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Eglogue Madrigal&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;(Extraits de Four sketches) op.227c (1941)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; ELK&amp;nbsp;.VOG&amp;nbsp;. ou PRESSLER&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Sonatine&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; pour clarinette et piano&amp;nbsp;&amp;nbsp; op.100 (1927)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;8mn 55 DURAND&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Caprice&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp; pour clarinette et piano&amp;nbsp; op.335d&amp;nbsp; (1954)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; BILLAUDOT&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Red.par l’auteur du concerto&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; pour clarinette et orchestre op.230 ( 1941)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; LEDUC&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Danse&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; pour sax et piano op.335B (1954)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;BILLAUDOT&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;Trio&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Sonate pour deux violons et piano, op.15 (1914) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;15mn35 DURAND&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Trio pour piano, (v°&amp;nbsp;,vlc et&amp;nbsp; p°)&amp;nbsp; Op.428 (1968)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;14mn 05 HEUGEL&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Trio à cordes, Op.274 (1947) pour alto,violon,violoncelle &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;13mn30 HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Sonatine à 3&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour trio à cordes, pour alto,violon,violoncelle Op.221b 1940) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;8mn20 MERCURY ou PRESSLER&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Suite pour violon, clarinette et piano, Op.157b (1936), après la musique de scène&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;/span&gt;&lt;i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt;Le voyageur sans bagage&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;/i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Op.157&amp;nbsp; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;11mn50&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;SALABERT&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Quatuors&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Quatuor à cordes n ° 1, Op.5 (1912) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;13mn25 DURAND&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Quatuor à cordes n ° 2, opus 16 (1914-1915) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;23mn25 DURAND&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Quatuor à cordes n ° 3 avec la voix solo, Op.32 (1916); poème de &lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Leo Latil &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;20mn05&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; DURAND&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Quatuor à cordes n ° 4, Op.46 (1918) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;9mn45 SALABERT&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Sonate pour flûte, hautbois, clarinette et piano, Op.47 (1918)&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Quatuor à cordes n ° 5, Op.64 (1920) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;20mn40 SALABERT&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Quatuor à cordes n ° 6, op.77 (1922) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;8mn45 VIENNE U.E&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Quatuor à cordes n ° 7, Op.87 (1925) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;12mn40 VIENNE U.E&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Quatuor à cordes n ° 8, Op.121 (1932) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;12mn45 CHANT DU MONDE&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Quatuor à cordes n ° 9, Op.140 (1935) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;18mn10&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;CHANT DU MONDE&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;La reine de Saba&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour quatuor à cordes, Op.207 (1939)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Quatuor à cordes n ° 10&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Anniversaire&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;("Quartet anniversaire"), Op.218 (1940)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; 15mn15 SALABERT&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Quatuor à cordes n ° 11, Op.232 (1942) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;15mn45&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;SALABERT&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Quatuor à cordes n ° 12, Op.252 (1945) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;14mn05&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;SALABERT&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Quatuor à cordes n ° 13, Op.268 (1946) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;10mn40 SALABERT&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Quatuor à cordes n ° 14, Op.291 n ° 1 (1948-1949);&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; Les quatuors à cordes 14 et 15 peuvent être effectuées séparément, ainsi que simultanément comme&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt; un octuor à cordes.&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;14mn45 HEUGEL&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Quatuor à cordes n ° 15, Op.291 n ° 2 (1948-1949); Pour un autre exemple d'un compositeur qui écrit des œuvres pour l'exécution simultanée, voir 19e siècle compositeur&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;PIETRO RAIMONDI&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Quatuor à cordes n ° 16, Op.303 (1950) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;16mn40HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Quatuor à cordes n ° 17, Op.307 (1950) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;20mn40 HEUGEL&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt; &lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Quatuor à cordes n ° 18, Op.308 (1950) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;25mn&amp;nbsp;30&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Fanfare (150 Mesures verser les 150 ans de la maison Heugel)&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour 2 trompettes et 2 trombones, Op.400 (1962)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Quatuor avec piano, Op.417 (1966) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;20mn DURAND&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Hommage à Igor Stravinsky&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour quatuor à cordes, Op.435 (1971) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;BOOSEY ET H&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;3 Études sur des thèmes du Comtat Venaissin&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour quatuor à cordes, Op.442 (1973) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;10mn40 ESCHIG&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Sonate &lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;op.47 pourfl,hb,cl,et piano( 1918)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; 18mn DURAND&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Quintettes&lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 12.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Pour vents ( fl,htb,cl,bon,cor)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt;La Cheminée du Roy René&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt; &lt;/span&gt;&lt;/i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;, suite pour quintette à vent, Op.205 (1939); 7 pièces&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;11mn13 SOUTH MUSIC&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Eglogue Madrigal (extrait de four sketches)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;4 Esquisses&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour quintette à vent, Op.227b (1941); original pour piano&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; MERCURY&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Les rêves de Jacob&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Dance Suite pour hautbois, violon, alto, violoncelle et contrebasse, Op.294 (1949)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Divertissement&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour quintette à vent, op.299b (1958), après la partition du film&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Gauguin&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.299&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;11mn30 HEUGEL&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Quintette&amp;nbsp; à vent op. 443&amp;nbsp; (1973&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; )17mn ESCHIG&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 12pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Pour Cordes&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Quintette n ° 1 pour 2 violons, alto, violoncelle et piano, Op.312 (1950) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;20mn HEUGEL-LEDUC&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt; &lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;N ° 2 Quintette pour 2 violons, alto, violoncelle et contrebasse, Op.316 (1952) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;9mn25 HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;N ° 3 pour 2 violons, 2 altos et violoncelle Quintette, Op.325 (1953-1954) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;15mn20&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Quintette n ° 4 pour 2 violons,1 alto et 2 violoncelles, (à la mémoire d’Arthur Honegger) Op.350 (1956)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;20mn 05 HEUGEL&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;La création du monde&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt; (1926 ) ( pour quatuor à cordes et piano )&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;15mnESCHIG&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;Suite de concert en Ré&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt; ( pour quatuor à cordes et piano )op.81b (1951)&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt; 14mn HEUGEL&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Sextuors, septuors et octuors&lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Sextuor à cordes, Op.368 (1958)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;13mn 44 HEUGEL&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Septuor à cordes pour 2 violons, 2 altos, 2 violoncelles et contrebasse, Op.408 (1964) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;15mn20 HEUGEL(&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt; Le deuxième mouvement du septuor, intitulé «Etude de hasard contrôlé» est un exemple rare de Milhaud embrassant aléatoire dispositifs de composition).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Octuor à cordes op.291( 1948) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;16mn40 HEUGEL&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp;&lt;/span&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Cantate de l’enfant et de la mère&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; op.185 (1938) ( pour quatuor à cordes ,piano et récitante)ou(p°,fl,cl,V°vlc) livret de Maurice Carême&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp; 15mn HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="font-size: 18pt; line-height: 150%;"&gt;Clavier&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Orgue&lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Sonate &lt;/span&gt;&lt;/i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&amp;nbsp;Op.112 (1931) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;19mn43 Bel.M&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Pastorale&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.229 (1941) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;3mn29 Bel.M&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;9 Préludes&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.231b (1942), d’après &lt;i&gt;L'Annonce faite à Marie&lt;/i&gt;&lt;/span&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.231 &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;13mn5HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Petite suite&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.348 (1955)&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;6mn9 ESCHIG&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&amp;nbsp; &lt;/span&gt;&lt;u&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Piano&lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Suite, Op.8&lt;/span&gt;&lt;/i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt; (1913)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;25mn 10 DURAND&lt;/span&gt;&lt;span style="color: #c00000; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Mazurka&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;(1914), publiée dans&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;l'Album des Six&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;(1920) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;1mn15&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&amp;nbsp; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;ESCHIG&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Variations sur thématique des Nations Unies de Cliquet&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, op.23 (1915)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Printemps&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Livre I, &lt;/span&gt;3pièces&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt; op.25 (1915-1919) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;6mn10 ESCHIG&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Sonate n ° 1,&lt;/span&gt;&lt;/i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt; Op.33 (1916) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;18mn SALABERT&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Tango des Fratellini&lt;/span&gt;&lt;/i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt; op.58c( 1919) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;1mn45 ESCHIG&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Printemps&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Livre II,&lt;/span&gt; 3pièces op.66 (1920) &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;5mn30&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt; ESCHIG&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Saudades do Brasil&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.67 (1920-1921); 12 pièces; également orchestré &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;19mn50 ESCHIG&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Caramel Mou&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.68 (1920); a également organisé et groupe de jazz vocal &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;3mn14 ESCHIG,ENOCH&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;3 Rag-Caprices&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.78 (1922); a également orchestré &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;6mn02 U.E.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Le train bleu&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; Op.84 (transcription pour piano du ballet Air n°1 et&amp;nbsp; Airs n°2à8bis&amp;nbsp; (1921)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;HEUGEL&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Polka n°7de l’éventail de Jeanne&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp; op.95 (1927)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Choral&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.111 (1930)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;L'automne&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.115 (1932); 3 pièces&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;7mn SALABERT&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Les songes&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp; réd.du ballet op.124 (1933)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; SALABERT&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;L'album de Madame Bovary&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.128b (1933); après la musique de film&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Madame Bovary&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.128 &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;13mn30 ENOCH&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;3 Valses&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.128c (1933), après la musique du film&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Madame Bovary&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.128&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;3mn23ENOCH&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;4 Romances sans paroles&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.129 (1933)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;4mnSALABERT&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Promenade (Le tour de l'exposition)&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.162 (1933, révisée en 1937)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; SALABERT&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span lang="EN-US" style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Scaramouche&lt;/span&gt;&lt;/i&gt;&lt;span lang="EN-US" style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt; op.165b( 1937 ) &lt;/span&gt;&lt;span lang="EN-US" style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN-US; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;8mn SALABERT&lt;/span&gt;&lt;span lang="EN-US" style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span lang="EN-US" style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Touches blanches&lt;/span&gt;&lt;/i&gt;&lt;span lang="EN-US" style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Easy Pieces, Op.222 n ° 1 (1941)&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-US" style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN-US; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;FISHER&lt;/span&gt;&lt;span lang="EN-US" style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span lang="EN-US" style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Touches noires&lt;/span&gt;&lt;/i&gt;&lt;span lang="EN-US" style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Easy Pieces, No.2 Op.222 (1941)&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-US" style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN-US; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; FISHER&lt;/span&gt;&lt;span lang="EN-US" style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Choral (Hommage à Paderewski)&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;(1941) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;2mn10 BOOSEY et H.&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;4 Esquisses&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;(4 Sketches), Op.227 (1941); a également orchestré et pour quintette à vent &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;10mn15 LEDUC&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;La libératrice&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.236 (1943); aussi pour 2 pianos &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;6mn AHN etSIMROCK&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;La muse ménagère&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.245 (1944); 15 pièces; également orchestré dédicacée à MMMM&lt;/span&gt;&lt;/span&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;21mn25 LEDUC&lt;/span&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Accueil amical&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;,&lt;/span&gt;&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt; 17 pièces pour les enfants, Op.326 (1944-1948)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;HEUGEL&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Une Journée&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.269 (1946); 5 pièces &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;6mn30 LEDUC&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Méditation&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.277 (1947) &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;L'enfant aime&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Suite&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;"un enfant aime"&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.289 (1948); 5 pièces &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;9mn15 Bel.M.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Adame miroir op.283 (ballet trans p.pour piano) (1948)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;18mn HEUGEL&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Sonate n ° 2&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;, Op.293 (1949)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;15mn45 HEUGEL&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Jeu&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.302 (c.1950), publié dans l'album&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Les contemporains &lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;1mn36 BILLAUDOT&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Le candélabre à branches septembre&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.315 (1951); 7 pièces &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;10mn I.M.P.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Hymne de glorification&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.331 (1953-1954)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;7mn&amp;nbsp; ESCHIG&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;La couronne de Marguerite (Valse en forme de rondo)&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.353 (1956); a également orchestré &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;SALABERT&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Sonatine&lt;/span&gt;&lt;/i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;, Op.354 (1956), &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;5mn30 TRANSATLANTIQUES&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Le globe-trotter&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.358 (1956- 57); 6 pièces, également orchestré &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;19mn15 BEL.M.&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Les charmes de la vie (Hommage à Watteau)&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.360 (1957); a également orchestré &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;19mn45 BEL.M.&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Six danses en Trois mouvements&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.433 (1969-1970), également pour 2 pianos &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;6mn 07 ESCHIG&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;o:p&gt;&lt;span style="text-decoration: none;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Piano 4-mains&lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Enfantines&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Suite après&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;trois poèmes de Jean Cocteau&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.59a (1920); 3 pièces 2mn30 &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;ESCHIG&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Quatrième quatuor à cordes&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; (transcription)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;SALABERT&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Cinquième quatuor à cordes&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; (transcription)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;SALABERT&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Première suite symphonique&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp; op.12 (1913&amp;nbsp;/14)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; ESCHIG&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;Le bœuf sur le toit&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp; Réd.du ballet op.58( 1919)&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt; ESCHIG&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;La création du Monde&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt; Réd&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;.du ballet op.81( 1923) &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;ESCHIG&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;o:p&gt;&lt;span style="text-decoration: none;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;2 Pianos&lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt;Le bœuf sur le toit&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.58a (1919), d’après le ballet&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;19 mn ESCHIG&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Suite concertante op.83b «&amp;nbsp;Carnaval d’Aix&amp;nbsp;»&lt;/span&gt;&lt;/i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;réd.par l’auteur (1926) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;HEUGEL&lt;/span&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Scaramouche&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.165b (1937), après la musique de scène&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;volant physician Le&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.165 &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;8mn SALABERT&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Fantaisie Pastorale&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; op.188 (1938 )&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; SALABERT&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;La libératrice&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;,(Libertadora) Op.236a (1943); 5 pièces, aussi pour piano &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;6mn AHN etSIMROCK&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Les songes&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.237 (1943), 3 pièces, après le ballet, Op.124 (1933) &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;6mn12 SALABERT&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Le Bal martiniquais&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.249 (1944); 2 pièces; également orchestré &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;7mn16 Bel. M&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Carnaval à la Nouvelle-Orléans&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.275 (1947); 4 pièces &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;8mn15 Bel. M&lt;/span&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Divertissement sur, Kentuckiana ,20 airs du Kentucky&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.287 (1948);&amp;nbsp; également orchestré &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;6mn20 ELK.VOG , PRESSLER&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Divertissement&lt;/span&gt;&lt;/i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt; op.317a (1953) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;ESCHIG&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Réd.du concerto n°5&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; op.346 (1955)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; ESCHIG&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Concerto pour 2 pianos et orchestre&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp; (réd.de l’orchestre à un 3&lt;sup&gt;ième&lt;/sup&gt; piano)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Concerto n°2&amp;nbsp; pour 2 pianos et 4 perc. &lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;op.394( 1961)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; ESCHIG&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Six danses en Trois mouvements&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.433 (1969-1970); aussi pour piano &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;6mn 07 ESCHIG&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;4 pianos&lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;Paris&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour 4 pianos, Op.284 (1948);&amp;nbsp; également orchestré &lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;9mn27 ESCHIG&lt;/span&gt;&lt;span style="border-bottom-color: windowtext; border-bottom-style: none; border-bottom-width: 1pt; border-image: initial; border-left-color: windowtext; border-left-style: none; border-left-width: 1pt; border-right-color: windowtext; border-right-style: none; border-right-width: 1pt; border-top-color: windowtext; border-top-style: none; border-top-width: 1pt; font-size: 10pt; line-height: 150%; padding-bottom: 0cm; padding-left: 0cm; padding-right: 0cm; padding-top: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;u&gt;&lt;span style="font-size: 18pt; line-height: 150%;"&gt;Œuvres pour enfants&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;A&amp;nbsp; propos de bottes&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, de musique de contes pour enfants, pour voix, chœur mixte et piano (ou violon et violoncelle), Op.118 (1932); paroles de&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;René Chalupt &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;16mn DURAND&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Un petit&amp;nbsp;&amp;nbsp; peu de musique&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, jouer en musique pour chœur d'enfants et piano( ou v°et vlc),, opus 119 (1932); paroles d’&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Armand Lunel &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;13mn20DURAND&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Un petit peu d’ exercice&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;, Jeu musical pour chœur mixte d'enfants et piano( ou v°et vlc), Op.133 (1934); paroles de&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt; Armand Lunel &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;17mn40 DURAND&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Récréation&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, 4 chansons pour voix enfants et piano, Op.195 (1938); paroles par&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Jacqueline Kriéger &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;1mn55HEUGEL&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/div&gt;&lt;span style="border: none windowtext 1.0pt; font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; line-height: 150%; mso-ansi-language: FR; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Arial; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-border-alt: none windowtext 0cm; mso-fareast-font-family: Calibri; mso-fareast-language: FR; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: major-latin; padding: 0cm;"&gt;&lt;br clear="all" style="mso-break-type: section-break; page-break-before: auto;" /&gt; &lt;/span&gt;  &lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Deux chansons d'enfants&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;(2 Chansons pour enfants) pour chœur d'enfants et piano, Op.217 (1940); paroles d’&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Henri Fluchère&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Cours de solfège&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Papillon, papillonette!&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Touches noires, blanches touche&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour piano, Op.222 (1941)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; FISHER&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Accueil amical&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour piano, Op.326 (1944-1948)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; HEUGEL&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Une Journée&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour piano, Op.269 (1946)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; 6mn30 LEDUC&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;L'enfant aime&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;(un enfant aime), 5 pièces pour piano, Op.289 (1948)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; 9mn15 Bel.M.&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Service pour la veille du sabbat&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour chœur d'enfants et orgue, Op.345 (1955); texte liturgique5mn&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; 30 HEUGEL&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10pt; line-height: 150%;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 18pt; line-height: 150%;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;u&gt;Opéras&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;La brebis égarée&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.4 (1910-1915) 3 actes, 20 tableaux, livret d&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; font-weight: normal; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;e&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; font-weight: normal; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Francis Jammes&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;; création 1923 (soliste 3333-4331-B,hp,C)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp;ESCHIG&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;4 opéras de chambre&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;L'Orestie&amp;nbsp;:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 1.Agamemnon &lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;op.14 (1913)&amp;nbsp; (Soliste et ch.d’hommes(3332-4331-Tb,B,hp,C)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;10mnHEUGEL&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;2.Les Choéphores &lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;op.24 (1915)&amp;nbsp; (S.Bar.réc.ch.mixte et orch(3334-4331-Tb,15B,hp,C)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;30mn HEUGEL&lt;/span&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;3. Les Euménides&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.41 (1917-1923);&lt;/span&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;&amp;nbsp; 3 actes; livret de&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Paul Claudel&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, d’après&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Aeschylus" title="Aeschylus"&gt;&lt;span style="color: windowtext; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR; text-decoration: none; text-underline: none;"&gt;Eschyle&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;(.(3334-4431-4sax,4saxh-Tb,15B,hp,C)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;1H30 HEUGEL&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Les malheurs d'Orphée&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.85 (1924), opéra de chambre en 3 actes, livret de&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Armand Lunel&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;; première en&amp;nbsp; 1926 (Bar.S.(1121-trp,Tb,B,hp,C&amp;lt;1111&amp;gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;35mnHEUGEL&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Esther de Carpentras&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.89 (1925-1926); opéra bouffe en 2 actes, livret de&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt; Armand Lunel&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, première en 1937 (Solistes(3332-4331-Tb,B,hp,C))&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;1H05 HEUGEL&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Le_pauvre_matelot" title="Le pauvre matelot"&gt;&lt;i&gt;&lt;span style="color: windowtext; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR; text-decoration: none; text-underline: none;"&gt;Le pauvre matelot&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.92 (1926); «complainte» 3 actes; livret de&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;jean Cocteau&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;; première en&amp;nbsp; 1927 quatuor vocal et orch.(vers.12233-2310-Tb,B,hp,C) (vers.21111-1110-BC&amp;lt;11111&amp;gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; 45mnHEUGEL&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Fiesta&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.370 (1958); 1 acte; livret&amp;nbsp; de&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Boris Vian&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt; (Voix,fl,htb,cl,clB,bon,sax,trp,trb,p°,hp,3v°,2vlc,cb)&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;22mn30HEUGEL&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 12.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 12.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;3 opéras-minutes&lt;/span&gt;&lt;/u&gt;&lt;u&gt;&lt;span style="color: windowtext; font-size: 12.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;L’enlèvemant d’Europe&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;, Op.94 (1927); 1 acte, 8 tableaux; livret de&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Henri Hoppenot&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt; pour solo,sextuor vocal et orch.(1111-trp-B,C&amp;lt;11111&amp;gt;)&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;10mn U.E.&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;L’abandon d’Ariane&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.98 (1927); 1 acte, 5 tableaux; livret de&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt; Henri Hoppenot &lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt;pour solo,sextuor vocal et orch.(2121-1200-Tb,B,C &amp;lt;1111&amp;gt;&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;9mnU.E.&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;La délivrance de Thésée&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;, op.99 (1927); 1 acte, 6 tableaux, livret de&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Henri Hoppenot&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt; pour solo quatuor vocal et orch.(1111-1100-Tb,B,Csol&amp;lt;11111&amp;gt;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt; &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;8mn U.E.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Christophe_Colomb" title="Christophe Colomb"&gt;&lt;i&gt;&lt;span style="color: windowtext; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR; text-decoration: none; text-underline: none;"&gt;Christophe Colomb&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, op.102 (1928, révisée 1968), 2actes , 27tableaux , livret de&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Paul Claudel&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt; (Solistes,ch.&amp;nbsp;mixte et orch.)(3343-4331-Tb,B,hp,C)&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;&amp;nbsp; &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;U.E.&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Maximilien&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, op.110 (1930), opéra en 3 actes historiques, 9 tableaux, livret de RS Hoffman et Lunel d’ après&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;" Maximilien Juarez"&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;de &lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Franz Werfel&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, (1932 première)&lt;/span&gt;&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt; (Solistes,ch.&amp;nbsp;mixte et orch.)(3343-4331-Tb,B,hp,C)&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt; U.E.&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;L'Opéra du gueux&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.171 (1937); ballade opéra en 3 actes, livret de&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Henri Fluchère&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt; d’&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;après&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;&lt;a href="http://en.wikipedia.org/wiki/John_Gay" title="John Gay"&gt;&lt;span style="color: windowtext; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR; text-decoration: none; text-underline: none;"&gt;John Gay&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;the&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;&lt;a href="http://en.wikipedia.org/wiki/The_Beggar%27s_Opera" title="The Beggar's Opera"&gt;&lt;span style="color: windowtext; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR; text-decoration: none; text-underline: none;"&gt;Beggar's Opera &lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;(1728) chansons (1111-011-0110 –sax,B,hp,C)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;SALABERT&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Médée&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.191 (1938); 1 acte, 3 tableaux, livret de&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;MADELEINE MILHAUD&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;(son épouse et cousine)(Contre alto,bar,T. ch.mixte et orchestre (2223-2331-B,C); création 1939&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;1H10 HEUGEL&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Bolivar&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.236 (1943); 3 actes, 11 tableaux, livret de&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;MADELEINE MILHAUD&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&amp;nbsp;d’&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;après&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Jules Supervielle&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt; (Voix solistes ,ch&amp;nbsp;.mixte et orchestre(2222-4321-Tb,B,hp,C)&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt; &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;SALABERT&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;&lt;a href="http://en.wikipedia.org/w/index.php?title=David_(Milhaud)&amp;amp;action=edit&amp;amp;redlink=1" title="David (Milhaud) (page does not exist)"&gt;&lt;i&gt;&lt;span style="color: windowtext; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR; text-decoration: none; text-underline: none;"&gt;David&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.320 (1952-1953),&amp;nbsp; 5 actes; livret de&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Armand Lunel&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;; concert à Jérusalem en 1954; mise en scène à&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;&lt;a href="http://en.wikipedia.org/wiki/La_Scala" title="La Scala"&gt;&lt;span style="color: windowtext; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR; text-decoration: none; text-underline: none;"&gt;La Scala&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;en 1955&amp;nbsp; (Solistes, ch.mixte et orch&amp;nbsp;.(2222-4331-Tb,B,hp,C)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;I.M.P.&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;&lt;a href="http://en.wikipedia.org/wiki/La_m%C3%A8re_coupable" title="La mère coupable"&gt;&lt;i&gt;&lt;span style="color: windowtext; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR; text-decoration: none; text-underline: none;"&gt;La mère coupable&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.412 (1964-1965); 3 actes; livret de &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;MADELEINE MILHAUD&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&amp;nbsp; d’&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;après&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Beaumarchais" title="Beaumarchais"&gt;&lt;span style="color: windowtext; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR; text-decoration: none; text-underline: none;"&gt;Beaumarchais&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;"&lt;/span&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt; création 1966&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Saint-Louis, roi de France&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Op.434 (1970), opéra-oratorio en 2 parties; livret de Henri Daublier et&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt; Paul Claudel&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;; 1972 première (2solistes,T,B,ch.mixte orch.dans la fosse(1121-2221-Tb,B,C) orch.sur scène(1110-1011,B&lt;/span&gt;,hp,quintette à C)&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt; &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;1H30 ESCHIG&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="color: red; font-size: 12.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;u&gt;&lt;span style="color: windowtext; font-size: 12.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;Récitatif&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/u&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;Les récitatifs pour une éducation manquée op.82 (1923) de Chabrier&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;ENOCH&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="color: red; font-size: 18.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="color: windowtext; font-size: 18.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;u&gt;Œuvres Chorales&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Deux poèmes &lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;op.39( 1916)&amp;nbsp; de St Léger n°1Eloge&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; de Chalupt n°2 Le brick&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;4mn22 DURAND&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Le retour de l’enfant prodigue&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; d’A.Gide op.42 (1917) (M-1110-S, T,3Bar,2221-hp,Tb,B,2quatuor &amp;nbsp;cb (cantate)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;42mn U.E.&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Psaume 136&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour baryton, chœur et orchestre, op.53 n ° 1 (1918), traduction par&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Paul Claudel&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Psaume 121&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;(alias&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Psaume 126&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;[Vulgate 126]) pour chœur d'hommes a cappella, Op.72 (1921), traduction par&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Paul Claudel&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, écrit pour le&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Harvard_Glee_Club" title="Harvard Glee Club"&gt;&lt;span style="color: windowtext; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR; text-decoration: none; text-underline: none;"&gt;Harvard Glee Club&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;après leur tour de l'Europe 1921.&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;4mn50 U.E.&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Sixième symphonie&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; op.79 (quatuor vocal ,htb,vlc)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;6mnU.E.&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Cantate pour louer le Seigneur&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour solistes, chœur mixte, choeur d'enfants&amp;nbsp;, orgue et orchestre, Op.103 (1928), texte: Psaumes 117, 121, 123, 150(1111-1110-Tb,B,C-orgue-C)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;10mnU.E.&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;2 extraits de l'anthologie Poèmes nègre de Blaise Cendrars&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour quatuor vocal ou chœur et orchestre de chambre, Op.113 (1932); texte de&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Blaise_Cendrars" title="Blaise Cendrars"&gt;&lt;span style="color: windowtext; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: FR; text-decoration: none; text-underline: none;"&gt;Blaise Cendrars&lt;/span&gt;&lt;/a&gt; &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;3mn25 SALABERT&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;2 élégies&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;romaines&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt; pour quatuor vocal féminin ou chœur de femmes, Op.114 (1932); texte de Johan Wolfgang von Goethe&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt; &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;2mn50 SALABERT&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;La mort du tyran&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour chœur mixte, flûte, clarinette, tuba et percussions, Op.116 (1932); texte de&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Lampride&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, traduction de D. Diderot (pfl,cl,tuba,et 6B)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;6mn10 CHANT du M.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;L’Annonce faite à Marie &lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;pour quatuor vocal op.117 de P.Claudel ( 1932 ) (2fl,cl,2sax,2oM,orgue,p° 4mains,vib,B)&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;19mn SALABERT&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Adages&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, 16 chansons pour quatuor vocal, chœur et orchestre de chambre (ou piano), Op.120c (1932); mots par&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;André de Richaud&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt; (fl,cl,bon,cor,quatuor à C &amp;lt;ou p°&amp;nbsp;&amp;gt;)&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;13mn45 SALABERT&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Devant&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp; &lt;i&gt;sa main&lt;/i&gt; &lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;nue &lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour chœur de femmes ou de quatuor vocal, Op.122 (1933); paroles de &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Marcel Raval&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;4mn15 SALABERT&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Pan et la&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt; Syrinx&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Cantate pour soprano, baryton, quatuor vocal, flûte, hautbois,&amp;nbsp; ou CA saxophone alto, basson et piano, Op.130 (1934); mots principalement par&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Paul Claudel&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt;&amp;nbsp; &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;15mn SALABERT&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Les amours de Ronsard&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, 4 chansons pour chœur mixte ou quatuor vocal et orchestre de chambre, Op.132 (1934)(fl,cl,bon,cor,quatuor à C)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;11mn07 SALABERT&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Cantique du Rhône&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, 4 chansons pour choeur ou quatuor vocal, Op.155 (1936); paroles d&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt; Paul Claudel&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt; &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;9mnELK.VOG.PRESSER&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt;C antate de l’inauguration du Musée de l’homme&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt; op.164 de R&amp;nbsp;.Desnos (1937) pour réc&amp;nbsp;.(fl,htb,sax&amp;nbsp;,bon,B,p°)&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt; &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;20mn SALABERT&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Cantate de la paix&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour chœur d'hommes et chœur d'enfants, Op.166 (1937); paroles de&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt; Paul Claudel&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt; &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;9mn40 SCHIRMER&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Main tendue&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;à tous&amp;nbsp; &lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour chœur mixte a cappella, Op.169 (1937); paroles de &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Charles Vildrac &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;4mn CHANT du M.&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Les Deux cités&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Cantate pour chœur mixte a cappella, Op.170 (1937); paroles de&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt; Paul Claudel &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;13mn05 SCHIRMER&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Quatre chants populaires de Provence&amp;nbsp;:Magali&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour chœur mixte et orchestre,(1111-1210-Tb,C) Op.194 (1938&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;) &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;1mn40 CHANT du M.&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;3 Incantations&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour chœur d'hommes a cappella, Op.201 (1939); poèmes aztèques par&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Alejo Carpentier &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;7mn30 ESCHIG&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Quatrains Valaisans&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour chœur mixte a cappella, Op.206 (1939); paroles de &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Rainer Maria Rilke&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;3mn30 HEUGEL&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Cantate de la guerre&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour chœur mixte a cappella, Op.213 (1940); paroles de &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Paul Claudel&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt; &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;10mn45 SCHIRMER&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Borechou - Schema Israël&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;(bénissez le Seigneur - O Écoute, Israël) pour Cantor, choeur et orgue, Op.239 (1944); texte biblique&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;2mn55 SCHIRMER&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Kaddish (Prière verser les morts)&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour Cantor, choeur et orgue, Op.250 (1945); texte liturgique&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;4mn10 SCHIRMER&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Engagez-vous à Mills&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour chœur mixte à l'unisson et piano, Op.261 (1945); paroles de &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;George Percy Helley &lt;/span&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;6&amp;nbsp; sonnets composés au secret &lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour quatuor vocal ou chœur, Op.266 (1946), texte par&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Jean Cassou &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;12mn30 HEUGEL&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Symphonie n ° 3&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;"Te Deum"&lt;/span&gt;&lt;/i&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour chœur et orchestre, Op.271 (1946)&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Service sacré pour le samedi matin en 4 parties&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp; avec parties additionnelles pour le vendredi &lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour baryton, récitant, chœur mixte et orchestre ou&amp;nbsp; orgue, Op.279 (1947); texte liturgique (2222-2220-Tb,B,hp,C)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;60mn SALABERT&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Parties de chœurs seules&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp; SALABERT&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Lekha Dodi&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;(L'dodi CHOH) pour Cantor, choeur et orgue, Op.290 (1948), texte de la liturgie du shabat juif&amp;nbsp; vendredi soir 2mn30SHIRMER&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Naissance de Vénus&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Cantate pour chœur mixte a cappella, Op.292 (1949); paroles de&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Jules Supervielle &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;5mn HEUGEL&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Barba Garibo&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Cantate pour chœur mixte et orchestre, Op.298 (1949-1950); paroles de&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Armand Lunel&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt; divertissement sur des airs de folklore mentonnais (2222-2220-Tb,B,C)&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt; &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;20mn40 HEUGEL&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Cantate des proverbes&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour chœur de femmes, hautbois, violoncelle et clavecin,(hp,htb,vlc) Op.310 (1950); texte biblique&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;9mn50MERCURY&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Les miracles de la foi&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Cantate pour ténor, réc. chœur mixte et orchestre, Op.314 (1951); texte biblique de&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;Daniel&lt;/span&gt;&lt;/i&gt;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;(1122-1110-B,C)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;19mn45 SCHIRMER&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Le château de feu&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;, Cantate pour chœur et orchestre, Op.338 (1954); texte de&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Jean Cassou&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;; écrite à la mémoire des juifs tués pendant la guerre par les nazis (3333-0220-Tb,B,alto,vlc,cb)&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;12 MN 30 ESCHIG&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;3 Psaumes de David&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour chœur mixte a cappella, Op.339 (1954) alternace de chant gregorien et de polyphonie à 4voix Ps.51-150-114et 115&lt;/span&gt;&lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;&amp;nbsp; &lt;/span&gt;&lt;span style="border: none windowtext 1.0pt; color: red; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;15mn45 ESCHIG&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;2 Poèmes de Louise de Vilmorin&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour quatuor vocal ou chœur, Op.347 (1955); paroles de &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Louise L’Evêque de Vilmorin &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;4mn20 HEUGEL&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Le mariage de la feuille et du cliché&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour solistes, chœur, orchestre et bande magnétique, Op.357 (1956); texte de &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Max Gérard&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt;&amp;lt;fantaisie&amp;gt;(1111-sax-1110-Tb,B,C)&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt; &lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;29mnHEUGEL&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;La tragédie humaine&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour chœur (quintette vocal) et orchestre, Op.369 (1958); texte par&lt;/span&gt;&amp;nbsp;Agrippa d’Aubigné&lt;/span&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%;"&gt; (2233-2331-Tb,B,C)&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;27mn05 SALABERT&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;8 Poèmes de Jorge Guillén&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour chœur mixte a cappella, Op.371 (1958); paroles de &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10.0pt; line-height: 150%;"&gt;Jorge Guillén&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%;"&gt;14mn40 HEUGEL&lt;/span&gt;&lt;span style="color: red; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 style="line-height: 150%; margin-top: 0cm;"&gt;&lt;i&gt;&lt;span style="border: none windowtext 1.0pt; color: windowtext; font-size: 10.0pt; line-height: 150%; mso-border-alt: none windowtext 0cm; mso-fareast-language: FR; padding: 0cm;"&gt;Cantate de la croix de Charité&lt;/span&gt;&lt;/i&gt;&lt;span style="color: windowtext; font-size: 10.0pt; line-height: 150%; mso-fareast-language: FR;"&gt;&amp;nbsp;&lt;span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"&gt;pour solistes S et T chœur mixte, chœur d'enfants et orchestre(2332-2220 Tb,B,C), Op.381 (1959-1960); texte de &lt;/span&gt;&l
